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Auguste Chabaud

Born in Nîmes in 1882, Chabaud went to the Ecole des Beaux-Arts in Avignon in 1896 at the age of 14. Among other courses, he attended Pierre Grivolas' outdoor painting classes. In 1899 he moved to Paris to continue his art studies at the Ecole nationale des Beaux-Arts where he was a free student at Fernand Cormon's studio.
 

He also went to the Académie Julian and the Académie Carrière where he met Henri Matisse, André Derain and Jean Puy.
 

Unfortunately his family's financial problems obliged him to interrupt his studies and he joined the merchant navy, sailing up and down the coasts of Senegal and Dahomey.
 

He did his military service in Tunisia and returned to Paris in 1907 where he exhibited at the Salon des Indépendants and the Salon d'Automne with the leading protagonists of Fauvism:
 

his emphatic brushwork, a certain 'unfinished' feeling (conveyed in his work by great simplification of form) and his pure vibrant colours are all characteristics he shared with the Fauve artists.
 

He painted the lively street scenes and deserted squares, the nightlife and brothels of Montmartre where he had his studio with a rapid, synthetic style which sometimes came very close to caricature.
 

Contrasting harsh colours and outlining forms in thick black paint, he depicted his figures full-face or starkly defined their profiles to express man's solitude in the modern world.
 

After the First World War Chabaud settled down permanently in his family's estate near Avignon. From then on, the South he had never ceased to paint while in Paris was to absorb all his energy.
 

There is nothing folkloric about Chabaud's Provence which is simply awe-inspiring under the scorching sunshine. His landscapes emerge from a few emblematic elements and a limited palette of colours gradually dominated by vivid Prussian blue.
 

Proud of his roots, he always claimed his artistic gift was instinctive and that he was on the fringe of the artistic world. In the preface to his exhibition at the Bernheim-Jeune gallery, in Paris, in 1912 he explained that:
 

"The little I know was not learnt in all those stifling studios [...], but following in the footsteps of ploughmen and shepherds".


 

 

 


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